All press and national marketing for KlangHaus is overseen by Steve Forster of SFP Communications ltd (Best Theatre PR, London Fringe Awards). Steve has many years experience of PR and marketing at local, regional, national and international levels and a deep understanding of the unique nature of KlangHaus. He will work in collaboration with producing partner’s PR/marketing staff to ensure maximum press coverage and marketing potential for all KlangHaus performances.

The Guardian’s photo essay on KlangHaus:On Air

What’s On Stage video interview

The hybrid nature of the show embraces rock, experimental electronica and acoustic music alongside visual art and film in a groundbreaking, theatrical presentation. This helps to introduce audiences from each art form to each other in a dynamic, visceral format.

Working with the centre for Cultural Value, Leeds University we have a Thematic Analysis mapping the impact of InHaus shows on our audiences, collated from audience written comments cards. To request a copy of this contact us here

If you think you have a space that you’d like to consider please do contact us and we’ll be happy to discuss it with you. Sections of KlangHaus can be very loud with a full amplified rock band, do bear this in mind when suggesting locations. Site visits are necessary to ensure the suitability of proposed spaces.

UK Touring

As KlangHaus is created individually for each space it inhabits, it is not possible to give a definitive technical specification but in general KlangHaus will supply all backline amplifiers, drums, instruments etc, as well as computers, some PA and data projectors. The team require the hosting partner to source extra data projectors, lighting and PAs. A duty manager provided by the producing partner with local knowledge and experience is beneficial. Front of House, box office and stewarding & venue licenses will be normally the responsibility of the producing partner. All this can also be discussed and assessed during the initial site meeting.

International Touring

Our aim is to travel as lightly as possible for international work, with little or no demand to freight equipment.

We would hope to source technical equipment and set from host venues and potential audiences in a bid to make a comparatively low-carbon event with community building and engagement.

This includes sourcing data projectors, tv-style monitors, slide projectors, instruments, microphones, speakers & cabling as well as furniture, black-out materials and some set dressing.

After liaising closely with our hosts by email and zoom we produce an illustrated tech rider to support with aesthetic and practical expectations.

We can be flexible in certain areas, working to the principle of ‘borrow where possible, hire where necessary’. We aim to play an active role in this process.

The Neutrinos have spent the last 10 years in constant states of reinvention. They have released 3 albums, performed around the UK, northern Europe, Canada and the USA. Their music has been used for underground film soundtracks and throughout the feature length Channel 4 documentary ‘The Trials of Amanda Knox’.

‘Throbbing art-punk and sexy urgent energy’ - Time Out New York

Sal Pittman is an artist working with film, light, supergraphics and montage in a seamless line between analogue and digital presentation. Visual representations of music, rich with tactile, off-kilter, unapologetic personality. Her art direction and design work can be seen on promos and short films for 4AD, Iain Forsyth & Jane Pollard and mute, including Nick Cave & The Bad Seeds, Grinderman, Can, Scott Walker/Sunn O))) and Daughter.